Five Books That Shaped Me
Some books you forget within days. Others leave marks you only notice years later. And a rare few become footnotes to your personal history. They shape how you see, how you choose, how you think. Without them, it would be impossible to fully decode the person you are.
This is about five such books for me.
The Gateway Drug – Ponniyin Selvan
Kalki Krishnamoorthy, 1957
I didn’t become a reader until I was nearly 15. Books were always around the house, but never really mine. Then one bored afternoon, with board exams looming, I picked up Ponniyin Selvan a seven-book set that had been sitting untouched at home for years. It was a random decision. One that quietly changed the course of my personal history.
The very first scene - the vivid image of Vandiyathevan riding by a lake, with the vast Chozha kingdom looming around him and political tension thick in the air had hooked me instantly. What followed was a breathtaking mix of suspense, grandeur, betrayal, and wit. I was transported a thousand years back.
Each page drew me deeper into secret hallways whispered with danger, spies watching from the shadows of Kadambur Palace, messages passed in code. There were ocean-crossing adventures, shifting alliances, and a quiet undercurrent of cultural pride and political justice. I saw the world through the eyes of messengers, soldiers, rebels, queens. The scale was epic, but the feeling was deeply intimate.
I couldn’t put it down. Even with board exams around the corner, I read through the nights. All seven volumes, over 2000 pages, finished in less than a week. I was stunned that a book could do this make the real world disappear, and build a living, breathing one inside your head.
That week lit a fire. I wanted more. I wanted thrill, pace, scale. I dove into popular fiction Dan Brown, Mario Puzo, Archer, Sandilyan, Sujatha. Anything that could grip me, entertain me, keep me turning the page. That hunger never really left.
Ponniyin Selvan didn’t just make me a reader. It made me a lifelong searcher for great stories to keep me entertained, and maybe, to keep me young.
The Inward Journey – The God of Small Things
Arundhati Roy, 1997
As I was chasing thrill in books, I also realized I was beginning to crave more than just pace. The kindling of the senses wasn’t just about plot anymore. I wanted something deeper, though I didn’t know where to start.
Like most of us who grew up in the late 90s and early 2000s, I had heard about Arundhati Roy winning the Booker. So I picked up The God of Small Things, not fully knowing what I was getting into.
The first chapter told me everything had changed. The rhythm of reading felt different. The words didn’t flow like a stream they just lay there quietly, like a pond. Waiting for you to slow down. Dip in and linger.
There’s a moment early in the book where Roy describes the setting, the heat, the river, the overripe fruits, the heavy monsoon air, the stillness of the house and I remember just stopping to absorb it. I had never read prose like that before. It wasn’t trying to carry you away. It was asking you to stay. The beauty was lyrical, but it also had weight and pain.
The book took me time. I now realise I was probably too young then to fully grasp its cultural and political layers. But I still felt something. Especially the last chapter when Ammu and Velutha meet one final time. There was a kind of silence in those pages, a fragile intensity I didn’t know books could hold.
I didn’t have the vocabulary back then to explain it. But I knew this feeling was something rare.
The plot didn’t move in a straight line. It looped. It circled. It lingered. It didn’t race it asked you to sit still and quiet. And like any powerful literary fiction, it opened something in me. A deeper door. One I hadn’t known was waiting to be unlocked.
After this, the way I read changed completely.
The Book That Foretold – Urupasi
S. Ramakrishnan, 2006
My search for meaning in my early twenties led me to S. Ramakrishnan a towering figure in modern Tamil literature. By then, I had begun reading widely across Tamil and English. From Dostoevsky to Kee.Raa, my shelves were filling up fast. But if I had to name one book that still sits somewhere in my spine, quietly lodged - it would be Urupasi.
It’s a slim book. Almost a novella. The story of Sampath, a man in his late 30s who’s failed in life, misunderstood, poor and mostly alone. A man whose “chronic hunger” is not just for food, but for dignity, for meaning.
I read it during my summer break, right after cracking my first job interview. I had just been placed in a top MNC. This was the mid-2000s, and that meant you were sorted. Or at least, you thought you were.
But Urupasi threw me off. The narrative moved through the fragmented memories of Sampath’s friends. None of them saw him fully. Each carried a version. And piece by piece, their stories revealed a man slowly erased by life. By poverty. By loneliness. By the quiet ache of being unwanted.
I had never read anything that bleak, that close-up.
It disturbed me.
I was surrounded by friends full of plans, ambition, hope and laughter. But the question stuck: Will I end up having friends who turn out like Sampath? Or worse - will it be me?
That question lingered. And over the years, I’ve watched parts of it come true. Not for me, but for many people around me. Especially a close friend who passed away recently after years of silent struggle.
Urupasi had prepared me in a way I didn’t understand back then. It gave me the vocabulary for grief before I ever needed it. And in what should have been a season of celebration, it grounded me in a kind of empathy I might have never otherwise accessed and showed me me a truth too early.
The Book That Gave Me a Mirror – The Labyrinth of Solitude
Octavio Paz, 1950
As I neared my 30s, my reading shifted again. Fiction had given me thrill, and depth, but now I wanted clarity. I didn’t just want to feel the world. I wanted to understand it.
The book that marked that turn was The Labyrinth of Solitude by Octavio Paz.
A Mexican writer reflecting on life, solitude, rebellion, and identity in the Mexican psyche but so much of it felt eerily close to home. The way Paz dissected behaviour, gave meaning to the things we do without thinking on customs, rituals, curse words and silences made me see people and patterns differently. It gave language to instincts I hadn’t yet articulated.
The chapter that first hit me was the one on the Pachuco a countercultural movement among Mexican-American youth. Paz doesn’t glorify them or vilify them, just he observes them. Paz writes how the Pachuco, by being an outsider, still craves recognition. That sometimes, by being a rebel, we plead with society to give us at least the antagonist’s role, because the protagonist roles are already taken.
That thought stayed with me. And at many times explained many behaviors, including my own.
The rest of the book opened even more doors. The chapter on language. On how women are central to our abuses. On masks. On solitude. I had never seen culture, identity, and politics unpacked with such calm precision.
And from there, I didn’t look back. I began moving toward non-fiction. First slowly, then deliberately and then fully. I wanted to decipher structures of society, of history, even of fiction itself.
The Book That Shook Perspectives – Guns, Germs, and Steel
Jared Diamond, 1997
You have these moments of quiet after reading something profound, where the world stops for a bit. You ruminate. That happened to me almost every other chapter with this book.
What does a sweeping account of human evolution, geography, and biology teach you about your own privilege? About the myth of merit? About justice? For many, this is a book about macro history. But for me, it became a thought portal into my own political beliefs.
The question that stays with me asked by a Guinean labourer to Jared Diamond was:
“Why do you white men have so much cargo, and we black men have so little?”
That question isn’t just for Europeans. It’s aimed at all of us. It forces you to confront how your birth, geography, and circumstance shape your outcomes.I remembered my own childhood playing in the sun while farm labourers toiled just metres away. What made their summer so different from mine? What privilege allowed me to play while they worked? It made me realize that what we often call “success” or “merit” or even “wealth” is built on invisible scaffolding - centuries of accumulated advantage or inherited deprivation.
This was my first serious exercise in political thought. A moment where I began asking: where do I stand in the proverbial French Assembly of 1789? To the right or to the left? What does justice mean, not in theory, but in design?
Sure, the book has its critics, and it sparked plenty of academic discussion. But books are magical things. Some dissolve quietly into you. Others ignite something. Guns, Germs, and Steel did the latter. It set fire to old assumptions and lit the path to a deeper, more structured political curiosity. The booked solidified the political beliefs which were already forming inside me and gave me a new lens to look at the world.
A Life in Chapters
Looking back, my reading has mirrored the arc of growing up.
In my teens, it was all about popular fiction about stories that thrilled, entertained, and kept me up at night. My twenties brought a shift toward literary fiction, slower, introspective, emotionally layered. And in my thirties, I found myself drawn toward non-fiction, the books that gave structure to the chaos, offered frameworks to understand power, history, identity, and even explained why Sampath, Velutha, Ammu, and even I lived the way we did.
But this isn’t a full stop to the genres. I still enjoy being entertained by a sharp crime novel, a well-built fantasy, or an imaginative sci-fi world. I still get quieted by a work of fiction that stays with me longer than it should. And I keep reaching for that next non-fiction book for meaning.
Because in the end, I would’ve been a different person if not for these books.
Maybe there’s another version of me somewhere in the multiverse, who didn’t pick up that book on a bored afternoon. Maybe he’s kinder, simpler and less complicated. Or maybe he’s more lost, more uninformed, a worse human in ways I’ll never know.
I have no idea who he became.
But this is who I am.
And these are the books that shaped me.